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 To relieve the present exigency, is always the object which principally interests those immediately concerned in the administration of public affairs. Then send for the Minister out of prison and do him die, and after burn him, for that xxxvideo en moteles eydr is a Miscreant, and would have gone in unto me in the way of lewdness, without the rites of wedlock and he hath testified against himself that he is an Infidel and believeth in no religion., .

To relieve the present exigency, is always the object which principally interests those immediately concerned in the administration of public affairs. Then send for the Minister out of prison and do him die, and after burn him, for that xxxvideo en moteles eydr is a Miscreant, and would have gone in unto me in the way of lewdness, without the rites of wedlock and he hath testified against himself that he is an Infidel and believeth in no religion., .

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 In process of time, and as people became gradually more familiar with the use of the different metals in coin, and consequently better acquainted with the proportion between their respective values, it has, in most countries, I believe, been found convenient to ascertain this proportion, and to declare by a public law, that a guinea, for example, of such a weight and fineness, should exchange for one-and-twenty shillings, or be a legal tender for a debt of that amount.  xxxvideo en moteles eydr is the surrender of the greatest to run risk and danger, and play dice for death., .

In process of time, and as people became gradually more familiar with the use of the different metals in coin, and consequently better acquainted with the proportion between their respective values, it has, in most countries, I believe, been found convenient to ascertain this proportion, and to declare by a public law, that a guinea, for example, of such a weight and fineness, should exchange for one-and-twenty shillings, or be a legal tender for a debt of that amount. xxxvideo en moteles eydr is the surrender of the greatest to run risk and danger, and play dice for death., .



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INTRODUCTION

Jelly Roll Morton created history when he sat down with Alan Lomax to record the Library of Congress recordings in 1938. Never before had an artist of Morton #8217;s knowledge, and yes, fanfaronade, put so much into words. For the first time we heard from a pioneer who had actually been there. Historians will argue about the truth of what Morton says. The fact is, he actually said it, and so we can judge from the horse #8217;s mouth.

What follows is a transcription by Michael Hill, Roger Richard and Mike Meddings of Jelly Roll #8217;s actual words. #8220;Actual #8221; is a relative term. We are, on a small number of occasions, unsure of some of his Creole-influenced pronunciation. At times, Alan Lomax, and others, are heard in the background as a muffled sound. Ergo some of the transcription is subject to a little poetic licence.

The essence of Jelly Roll #8217;s musical genius comes though. You sense his disappointments, the giant ego, put down by the Depression of the Thirties. However, he was never a man to give up. And here we also perceive the chutzpah of the artist. #8220;I #8217;m still here, #8221; he shouts. Thus Morton #8217;s words and music cement his place in the annals of jazz greatness.

Morton speaks in response to Alan Lomax #8217;s occasional prompting. Generally however, we hear a monologue. Sometimes Jelly Roll #8217;s speech is rambling and disjointed, but overall he weaves a credible and fascinating storyline from nearly a century ago. His words are eloquent and sometimes quite erudite. Characters long dead and long forgotten #8212; except to this great artist and storyteller #8212; come to life again.

Jelly Roll Morton was a denizen of the tenderloin and of the sleazy underbelly of life. So we might be shocked at some of the obscene language, the crude depictions of commercial goings on, the brutality and heartlessness depicted. Accept these we must though, if we want to view the world that he worked in, and which in part informed his creativity. Like Cellini, Jelly Roll was both genius and imperfect human being in one.

Special thanks to Michael Hill, Roger Richard, Prof. Lawrence Gushee, Prof. James Dapogny, David Sager, Peter Hanley, Millie Gaddini, Brian Goggin and Robin Penna.

© 2003 Mike Meddings

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It never occurred even to the wariest of them to doubt here on the very threshold (where doubt, however, was most necessary); though they had made a solemn vow, "DE OMNIBUS DUBITANDUM., .





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